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A beautiful new born baby.
El Capitan at Sunset in Yosemite.
Taken on September 5, 2011
Photography by Brian Petersen at http://www.brianapetersen.com
It was a joy to make videos like this with Ryan McDuff, John Rinehart, and the body of Grace EV Free. Thank you to everyone who gave food and served at our Grace Good Bank.
Narration by John Rinehart
Footage shot by Ryan McDuff
Edited and produced by Brian Petersen
Grace Thanksgiving: Food Bank on November 18 2011 from Grace EV Free on Vimeo.
Enjoy this recap video from our Food Bank at Grace EV Free, La Mirada.
I was able to get this great shot in June of 2011 in Western China.
2011 Bryan Kuranaga and Kathryn Heberling Engagement Session
Posted on August 16, 2011
by Brian Petersen 
7 
I had a really fun time with Bryan Kuranaga and Kathryn Heberling during their engagement photo session at the Fullerton Arboretum. This was truly a beautiful day with a beautiful couple. Many blessings on their engagement and marriage.
I had such a wonderful time photographing the beautiful Johnson Wedding in Yorba Linda and Fullerton. Enjoy these pictures and rejoice with the happy couple.
I interviewed Eddie Kramer and recorded this video for Waves on the new Kramer Master Tape plug in from Waves. It is hot!
In this video, producer/engineer Eddie Kramer (Jimi Hendrix, Led Zeppelin, The Beatles, The Rolling Stones) provides an overview of the Kramer Master Tape and how it can help you warm up your mixes.
Developed in association with Eddie Kramer, the Kramer Master Tape plugin is modeled on a rare machine consisting of an Ampex 350 transport and 351 electronics. With adjustable tape speed, bias, flux, wow & flutter, and noise parameters, the Kramer Master Tape provides comprehensive control over the contours of your sound. And to top it off, we’ve added a flexible slap & feedback delay, ideal for rock, dance, dub, you name it. For recording, mixing, mastering, and more, bring the richness and warmth of real tape saturation to your DAW with the Kramer Master Tape plugin. It’s the reel deal.
The Kramer Master Tape Plugin Dream Team
Special thanks go out to Eric Schilling (Shakira, Gloria Estefan, Natalie Cole, Elton John) who provided us with the machine, Bob Olhsson (Stevie Wonder, Marvin Gaye, Diana Ross) and especially John Haeny (Bonnie Raitt, Weather Report, Jackson Browne, Linda Ronstadt, Jim Morrison, Tom Jones), who provided invaluable assistance in the development of the Kramer Master Tape plugin.
SPEED selects the simulated tape speed.
MONITOR selects the monitoring mode.
BIAS controls the level of the ultrasonic bias signal.
VU METER displays input or output level.
VU CALIBRATION controls the VU meter headroom calibration.
DELAY TIME controls the time of the tape delay effect, with settings for 7.5 ips (266 milliseconds) and 15 ips (133 ms).
DELAY TYPE toggles between delay modes.
FEEDBACK controls the amount of the delayed output signal.
LOWPASS controls the LP cutoff frequency on the delay path.
RECORD LEVEL controls the input level.
LINK I/O links Record and Playback Levels controls.
PLAYBACK LEVEL controls the total signal output level.
FLUX controls the level of simulated magnetic radiation emitted from the record head.
WOW & FLUTTER controls the speed and gain modulations and fluctuations.
NOISE controls the level of added modeled noise but not noise modulations and signal additive noise.
Tupac Shakur’s “Changes.” “Survivor” by Destiny’s Child. Notorious B.I.G.’s “Mo Money Mo Problems.” “Where is the Love’” by Black Eyed Peas. These are just a few of the massive hits that have helped shape today’s R&B/Hip Hop sound. And all were mixed by Tony Maserati.
One of the most respected mixing engineers on today’s scene, Maserati has played a major role in defining current R&B and hip hop aesthetics, and has mixed over 250 releases for dozens of superstars ranging from Sting and David Bowie to Macy Gray and Alicia Keys. A two-time Grammy winner, Tony was recently nominated for his third, for his work on We Sing, We Dance, We Steal Things by Jason Mraz.
After completing his studies at Berklee’s program for production and engineering, Maserati got his start the New York scene in the mid-’80s and before long Tony had hooked up with early rap legends like Heavy D and Brand Nubian. Perhaps best known for his work on such hits as Ricky Martin’s “She Bangs,” Mark Anthony’s “I Need To Know” and R. Kelly’s “I Wish,” most recently Maserati has been hard at work on new releases from John Legend as well as Fergie of the Black Eyed Peas.
Maserati says “I have been using Waves plugins from the beginning of my immersion in digital workstations. I’m looking at my computer screen and more than half of the tracks are Waves plugins. From dynamics and EQs to special effects, most of the tracks that recording engineers send me have Waves plugins on them, making it easy for me to save their work and edit or just start from one of my presets.”
Read more: http://www.waves.com/content.aspx?id=5451#ixzz1QmqjYFqN
Jimi Hendrix, Led Zeppelin, the Beatles, the Rolling Stones, Kiss, David Bowie
Any producer is only as good as the music he helps create. By this standard, Eddie Kramer must be regarded as a legend. In the course of a production and engineering career that has spanned 30 years, Kramer has been behind the boards for the biggest names in music – The Rolling Stones, Traffic, Peter Frampton, Carly Simon, Joe Cocker, Johnny Winter, David Bowie, The Beatles and Bad Company, just to name a few. But he is perhaps best known for three long-term associations in which he not only helped create some of the most important music of the rock era, but also set standards for rock production that set him aside as a true innovator. His work with Jimi Hendrix, Led Zeppelin, and Kiss produced music which continues to influence rock musicians and producers today.
Born in South Africa, Eddie studied classical piano, cello and violin at the prestigious South African college of Music. At a young age, his interest switched from classical to jazz. He moved to England at 19, where he recorded local jazz groups in a home-based studio and installed hi-fi equipment as a hobby. In 1964, he joined Pye Studios, and recorded a variety of artists including Sammy Davis Jr., Petula Clark, and The Kinks, demonstrating a versatility, which Eddie possesses to this day.
In 1965, Kramer established the sophisticated KPS Studios, which, despite its rudimentary 2-track recording capability, gained such a reputation that in less than a year they were bought out by Regent Sound. They enlisted Kramer to oversee construction of their new four-track studio.
Getting “Experienced”
Kramer’s next stop was Olympic Sound studios where he developed a fantastic reputation among the bands of the time – Small Faces, The Beatles, The Rolling Stones, and Jimi Hendrix, among others. His association with Hendrix was the most powerful one, and the one that lasted the longest. Kramer engineered every Hendrix album from “Are You Experienced” to “Cry of Love,” and after Hendrix’s death co-produced the posthumous releases “War Heroes,” “Rainbow Bridge” and “Hendrix in the West.”
In 1968, Kramer came to work at the Record Plant in NYC, engineering Hendrix’s “Electric Ladyland” LP, and also worked with Vanilla Fudge, Joe Cocker, and NRBQ. In 1969, Kramer went independent, producing Johnny Winter’s first LP and engineering Led Zeppelin II, acknowledged by fans and critics alike as perhaps that bands most influential work. This led to work on five albums with the band, half of their overall output. This pairing provided some historic moments. As Eddie tells of one particular session, “Zep II was mixed over a two day period in New York, and at one point there was bleed-through of a previously recorded vocal in the recording of “Whole Lotta Love.” It was the middle part where Robert (Plant) screams “Wo-man. You need it.” Since we couldn’t re-record at that point, I just threw some echo on it to see how it would sound and Jimmy (Page) said “Great! Just leave it.”
Woodstock
Soon afterwards, Kramer was recruited to record the Woodstock festival for both the album and the movie. “I arrived at dawn and was struck by the sight of the sun rising over what appeared to be the stage. The show was scheduled to start by lunchtime. That panic pretty much set the tone for the entire concert. All of us in the crew had Vitamin B shots, so that we would be able to stay up for three days. The whole thing was recorded under the most primitive of conditions, but we got it done,” says Kramer. “Woodstock was 3 days of hell and drugs”.
Woodstock established Kramer as one of the most important live music producers of the rock era, starting a series of artists recorded live which would ultimately include Led Zeppelin, Jimi Hendrix, Kiss, John Mayall, The Rolling Stones, Peter Frampton, Joe Cocker, Curtis Mayfield, Santana, David Bowie, Derek and The Dominoes, and others.
Electric Lady Studios
Hendrix quickly hired Kramer to build a state of the art studio. After 13 months and a million dollars, Electric Lady Studios was complete, and Kramer served as its Director of Engineering from 1970 – 1974. During this time, in addition to producing the posthumous Hendrix records, Kramer produced records by Carly Simon, Sha Na Na and Peter Frampton, and engineered albums for artists as diverse as Dionne Warwick and Lena Horne, David Bowie’s “Live at the Spectrum” and “Young Americans,” featuring “Fame” with John Lennon, and Led Zeppelin’s “Houses of the Holy” and “Physical Graffiti,” among others.
In 1975, Kramer left Electric Lady Studios to work with the No. 1 band in America at the time and produced “Kiss Alive.” In addition to producing “Rock and Roll Over,” “Love Gun,” “Alive II” and “Double Platinum” for Kiss, Kramer worked on Ace Frehley’s first solo record, Led Zeppelin’s “The Song Remains the Same” (the album and the movie), Peter Frampton’s historic “Frampton Comes Alive” LP, and The Rolling Stones “Love Ya Live,” three of the most popular live albums of the rock era. In the last three decades, Kramer has produced countless bands from Anthrax, Motley Crue, and Twisted Sister to Buddy Guy, Sting and Carlos Santana. He produced the Hendrix tribute album, “Stone Free,” for Warner Bros., which features tracks from artists such as: The Cure, Eric Clapton, The Spin Doctors, Seal/Jeff Beck, Slash/Paul Rodgers, and others. The album has generated approximately $1,000,000 in charitable funds which have been donated to the United Negro College Fund as musical scholarships to The Berklee School of Music, Julliard School of Music, and The Dance Theatre of Harlem. Since 1997, he has remastered all of the Jimi Hendrix albums from the original master tapes for Experience Hendrix/MCA. Eddie won a Grammy in 2002 for his work with Carlos Santana and Michelle Branch on the single, “The Game of Love.” Eddie has also worked with Lauren Hill on her new album.
Eddie’s photographs may be viewed at www.kramerarchives.com.
Read more: http://www.waves.com/content.aspx?id=3385#ixzz1Qmoxf8yK
In this exclusive video, producer / engineer Val Garay explains how the Aphex Vintage Aural Exciter® helped shape the sound of hit records for artists like Linda Ronstadt, Neil Diamond, The Four Seasons, and James Taylor.
Shooting and interview by Brian Petersen for Waves at the Village Studios in Los Angeles. Assisted by the legendary Phil Towne.
Related plugin: Waves Aphex Vintage Aural Exciter®
Read more: http://www.waves.com/content.aspx?id=11701#ixzz1NXoWf5Xa
http://www.waves.com/content.aspx?id=11701
2011 Senior Recital of Trevor Gomes at Biola
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen.
© 2010 Brian Petersen
