2011 America World Adoption Seminar at Grace EV Free
Enjoy photos and video from the 2011 America World Adoption Seminar held at Grace EV Free.
Photography by Brian Petersen at www.brianapetersen.com
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© 2010 Brian Petersen
Trevor Gomes recording sessions. Engineered by Brian Petersen.
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
Waves Grammy Congratulations NAMM 2011 from Brian Petersen on Vimeo.
Video by Brian Petersen for Waves
http://brianapetersen.com/
http://www.waves.com/
Chris Lord-Alge
Jack Joseph Puig
Manny Marroquin
Ross Hograth
Andrew Scheps
Dave Aron
Val Garay
Stevie Black
Scott Martin Gershin
Rob Arbittier
John Mills
Nic tenBroek
Michael Pearson Adams
Jordan Rudess
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
Photo from the 2011 Pasadena Rose Parade
Photography by Brian Petersen at www.brianapetersen.com
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© 2010 Brian Petersen
www.flickr.com/photos/bpbp/5315055722/
Jack Joseph Puig is among the most sought-after producers and mixing engineers in the music industry.
Jack Joseph Puig is world-renowned as a producer, mixer, and engineer, blending the sounds of the past three decades to create a unique contemporary aural tapestry. As one of the industry’s most in-demand engineers, Puig has manned the controls for a veritable who’s who of major artists.
Recently, Jack Joseph Puig collaborated with Waves on The JJP Analog Legends, which features four precision-modeled plugins based on rare gear from his own studio. Here are some photos of a recent session with Jack as he explains the front and back end of the plugins.
Check out his plugins
http://www.waves.com/Content.aspx?id=7306
Read more: http://www.waves.com/content.aspx?id=2327#ixzz17TnrjKyH
JJP Analog Legends is the result of an ongoing Waves research and development project that has lasted over 3 years.
Fairchild compressors are among the very rarest pieces of recording gear; it’s rumored that less than 50 were originally manufactured. One of the first things we discovered when testing Fairchilds is that each model sounds different. In fact, even within the same stereo module, each channel can sound and behave differently! Only a few fortunate studios in the world have multiple units, with the opportunity to compare the subtle differences between them. And so, our quest for the best sounding Fairchild led us to producer/mixing engineer Jack Joseph Puig, well-known in audio circles for his enviable collection of hard-to-find gear.
Jack loaned us his very best sounding unit, and we painstakingly analyzed and modeled its every attribute, replicating its sound and behavior to the point where the software was virtually indistinguishable from hardware. Jack was an indispensable part of the development process, greatly assisting the Waves team by testing and fine tuning the software models of his hardware, as well as contributing an extensive library of his personal presets.
So when you fire up the PuigChild, it’s almost as if you were working together with Jack Joseph Puig in Ocean Way studios. Better yet, it’s as if he loaned you a Fairchild. And not just any Fairchild; his BEST Fairchild.
Read more: http://www.waves.com/content.aspx?id=7665#ixzz17TpKxhKD
Among his clients:
The Rolling Stones, U2, Black Eyed Peas, Green Day, Fergie, John Mayer, Sheryl Crow, Klaxons, Panic At The Disco, Weezer, Counting Crows, Pussycat Dolls, Goo Goo Dolls, The Black Crowes, Switchfoot, No Doubt, Mary J. Blige, and more.
Puig has produced hits for the Verve Pipe (“Freshmen”) and The Black Crows (“Good Friday”), among others. Calling Ocean Way his home, Puig has spent time both as an engineer and as a producer and sees the duality as a plus when dealing with today’s Top 40 rock acts, many of whom ask him to mix their albums as well. He has also mixed albums for Hole, Collective Soul, Green Day, Mick Jagger, Lisa Loeb, and others.
The vintage hardware modeled in the JJP Analog Legends are among the rarest, most coveted pieces in the audio world. The PuigChild 660, PuigChild 670, PuigTec EQP-1A, and PuigTec MEQ-5 are based on these acclaimed units.
About Fairchild: Among gear aficionados, the stereo Fairchild 670 is considered the most coveted of all compressors, not only because of its pristine sound, but also its rarity and price: 670s routinely go for tens of thousands of dollars on the vintage market. (They originally cost less than $1000.) With 20 vacuum tubes and 4 hand-wired transformers in a hefty 6 rack-space chassis, these hard-to-find units weigh in at a robust 65 lbs.
Designed by Estonian-born Rein Narma in the early 1950s, both the stereo 670 and its mono counterpart the Fairchild 660 use single push-pull amplification stages with extremely high control voltages. Both variable-mu limiters are unique in that they use tubes for gain reduction as well as amplification. Compression takes place directly in the audio path, rather than being routed to a separate circuit.
Prior to the 660 and 670, Narma’s Gotham Audio Developments had built consoles and components for such luminaries as Rudy Van Gelder and Les Paul. Shortly after Paul asked Narma to build a limiter, Sherman Fairchild caught wind of the project, licensed the design, and hired Narma to come onboard as the company’s chief engineer. After his stint at Fairchild, Narma relocated to the San Francisco Bay Area and became vice president of Ampex, pioneers of multitrack recording equipment.
About Pultec
Custom-engineered and built by hand, the original Pultecs have long been a top choice of leading recording and mastering engineers. Pultecs are renowned for their ability to accentuate individual frequency ranges without significantly altering other frequencies.
In 1951, Gene Shenk and Ollie Summerland of Pulse Techniques Inc. introduced the first passive program equalizer, the EQP-1. Using equalization circuit designs licensed from Western Electric, the initial Pultecs suffered the gain insertion losses typical of passive filters. So, they added a gain makeup stage, using a push-pull design with multiple vacuum tubes. The result is the classic we’ve come to know as the EQP-1A.
Conceived and created for broadband equalization, the EQP-1A features four low boost/cut frequencies, three high-cut frequencies and seven HF boost points, along with a bandwidth control for shaping the high boost curve. The EQP-1A and the MEQ-5 together comprise one of the best known equalization chains in audio history.
Jack Joseph Puig is a Grammy Award-winning music engineer and producer with a long track record of successful productions, beginning with the mid 1990′s production of Tonic. Following this breakout success, Puig went on to work with Hole, Jellyfish, The Black Crowes,[1] John Mayer, Weezer, Fiona Apple, Green Day, The Counting Crows, No Doubt, Klaxons, Panic at the Disco, Stone Temple Pilots, U2, and many others. Puig has shared Grammy Awards with The Goo Goo Dolls, Sheryl Crow, Vanessa Carlton, John Mayer, Fergie (Black Eyed Peas), U2, and No Doubt. In 2006 Jack Joseph Puig became a E.V.P. atInterscope-Geffen-A&M Records. He has signed Klaxons and Charlotte Sometimes. As a A&R man he works with Shirley Manson, Ashlee Simpson, Klaxons, Charlotte Sometimes, The Counting Crows, Puddle of Mudd, and The Like.
Prior to his mainstream music production successes Puig rose to prominence as an engineer in the Contemporary Christian music scene of the mid-eighties. He worked mainly on Myrrh Record releases. He engineered for Christian acts sych as Amy Grant and Russ Taff. Some of the records he engineered were Grammy-award winning works such as Grant’s landmark 1985 LP Unguarded.
I had a joy editing this video for Grace EV Free in La Mirada for our 2010 Thanksgiving service. Enjoy.
From a harp recording session by Brian Petersen with a piece written by Trevor Gomes on November 20, 2010.
Miced with a Neumann TLM 49 cardioid directional large-diaphragm studio microphone running to a UA LA 610 into Pro Tools LE8 running Waves Mercury Bundle.
People may ask, “How do I record a harp?” A couple rules always apply for any recording. I use a nice large room with high ceilings, a good player, good charts, and a good producer and engineer. I used two mics in with one pointing at the soundboard and the Neumann is bit higher aimed at the strings. I loved the result and will use this in the future.
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
Photo taken during the 2010 Thriving Musicians Summit at Bayside Church.
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
John Rinehart preaches on “Defending the Fatherless” on Orphan Sunday at Grace EV Free.
See more here http://projecthopespeaks.org/2010/11/11/orphan-sunday/
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
A shot from the CD release concert of Lincoln’s latest worship album at Bayside Church in Granite Bay, CA.
Check out his site here http://www.normstockton.com/
From his site:
Bassist/solo artist/clinician Norm Stockton travels extensively throughout North America, Europe and Japan. He has been profiled in Bass Player magazine (12/95 & 2/10) and is recognized by many as one of the premier bassists today. Since 2006, he has been the touring and recording bassist with chart-topping worship artist (and former Steve Perry guitarist) Lincoln Brewster.
As a solo artist, he has released two instrumental projects that have garnered widespread acclaim from around the globe. His recently-released 2nd solo project, Tea In The Typhoon, features stellar guest artists John Patitucci, Gregg Bissonette, Lincoln Brewster, Michael Manring, Etienne Mbappe and more, and further affirms Norm’s reputation as a world-class bassist and composer.
Norm has performed or recorded with such artists as:
Vicky Beeching (worship artist)
Lincoln Brewster
Dominique Di Piazza (John McLaughlin)
Brian Doerksen (worship artist)
Bryan Duncan
Steve Laury (solo artist, Fattburger)
Luna Halo
Mandisa (American Idol)
Darrell Mansfield
Rob Mullins (solo artist, The Crusaders)
David Pack (Ambrosia)
Rita Springer (worship artist)
Darlene Zschech (Hillsong)
and many more.
Norm is also known internationally as a bass educator and clinician. His bass instructional DVD series, Grooving for Heaven (distributed by Alfred Publishing), has sold extensively in the United States and abroad. He has served as adjunct faculty at Concordia University, Hope International University, Biola University, The Los Angeles Music Academy, and MusicDojo.com. He also serves as the bass columnist for Christian Musician magazine.
Norm lives in Orange County, CA, with his wife and daughters.
Norm Stockton proudly uses and endorses instruments & products from the following:
MTD
Gallien-Krueger
MTD Strings
Shure
and, of course, he unequivocally prefers Coca-Cola to Pepsi.
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
I love being part of a team where I get to see people live out their adoption in Christ and defend the rights of the orphan and widow.
Project Hope at Grace EV Free celebrated its third Orphan Sunday by hosting Sunday services called, “Defending the Fatherless.” November 7 is internationally recognized as Orphan Sunday and the event was tailored for the church body with preaching, sung worship, testimonies, prayer, and exhibits with tables from local ministries to help Christians defend the fatherless. I’ve included the sermon video below with some photos of the fun event. Enjoy and God bless you!
You can download the sermon audio or listen online by visiting the Grace EV Free website here.
You can also check out the original post from Project Hope here.
Click on these photos to view them large. Photos by Brian Petersen and Erik Bergen.
Click on these photos to view them large. Photos by Brian Petersen and Erik Bergen.
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
A sweet moment from a child dedication at Grace EV Free on November 7, 2010.
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen
