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Jack Joseph Puig is among the most sought-after producers and mixing engineers in the music industry.

Jack Joseph Puig is world-renowned as a producer, mixer, and engineer, blending the sounds of the past three decades to create a unique contemporary aural tapestry. As one of the industry’s most in-demand engineers, Puig has manned the controls for a veritable who’s who of major artists.

Recently, Jack Joseph Puig collaborated with Waves on The JJP Analog Legends, which features four precision-modeled plugins based on rare gear from his own studio. Here are some photos of a recent session with Jack as he explains the front and back end of the plugins.

Check out his plugins
http://www.waves.com/Content.aspx?id=7306
Read more: http://www.waves.com/content.aspx?id=2327#ixzz17TnrjKyH

About JJP Analog Legends

JJP Analog Legends is the result of an ongoing Waves research and development project that has lasted over 3 years.

Fairchild compressors are among the very rarest pieces of recording gear; it’s rumored that less than 50 were originally manufactured. One of the first things we discovered when testing Fairchilds is that each model sounds different. In fact, even within the same stereo module, each channel can sound and behave differently! Only a few fortunate studios in the world have multiple units, with the opportunity to compare the subtle differences between them. And so, our quest for the best sounding Fairchild led us to producer/mixing engineer Jack Joseph Puig, well-known in audio circles for his enviable collection of hard-to-find gear.

Jack loaned us his very best sounding unit, and we painstakingly analyzed and modeled its every attribute, replicating its sound and behavior to the point where the software was virtually indistinguishable from hardware. Jack was an indispensable part of the development process, greatly assisting the Waves team by testing and fine tuning the software models of his hardware, as well as contributing an extensive library of his personal presets.

So when you fire up the PuigChild, it’s almost as if you were working together with Jack Joseph Puig in Ocean Way studios. Better yet, it’s as if he loaned you a Fairchild. And not just any Fairchild; his BEST Fairchild.

Read more: http://www.waves.com/content.aspx?id=7665#ixzz17TpKxhKD

Among his clients:
The Rolling Stones, U2, Black Eyed Peas, Green Day, Fergie, John Mayer, Sheryl Crow, Klaxons, Panic At The Disco, Weezer, Counting Crows, Pussycat Dolls, Goo Goo Dolls, The Black Crowes, Switchfoot, No Doubt, Mary J. Blige, and more.

Puig has produced hits for the Verve Pipe (“Freshmen”) and The Black Crows (“Good Friday”), among others. Calling Ocean Way his home, Puig has spent time both as an engineer and as a producer and sees the duality as a plus when dealing with today’s Top 40 rock acts, many of whom ask him to mix their albums as well. He has also mixed albums for Hole, Collective Soul, Green Day, Mick Jagger, Lisa Loeb, and others.

Puig’s Picks

The vintage hardware modeled in the JJP Analog Legends are among the rarest, most coveted pieces in the audio world. The PuigChild 660, PuigChild 670, PuigTec EQP-1A, and PuigTec MEQ-5 are based on these acclaimed units.

About Fairchild: Among gear aficionados, the stereo Fairchild 670 is considered the most coveted of all compressors, not only because of its pristine sound, but also its rarity and price: 670s routinely go for tens of thousands of dollars on the vintage market. (They originally cost less than $1000.) With 20 vacuum tubes and 4 hand-wired transformers in a hefty 6 rack-space chassis, these hard-to-find units weigh in at a robust 65 lbs.

Designed by Estonian-born Rein Narma in the early 1950s, both the stereo 670 and its mono counterpart the Fairchild 660 use single push-pull amplification stages with extremely high control voltages. Both variable-mu limiters are unique in that they use tubes for gain reduction as well as amplification. Compression takes place directly in the audio path, rather than being routed to a separate circuit.

Prior to the 660 and 670, Narma’s Gotham Audio Developments had built consoles and components for such luminaries as Rudy Van Gelder and Les Paul. Shortly after Paul asked Narma to build a limiter, Sherman Fairchild caught wind of the project, licensed the design, and hired Narma to come onboard as the company’s chief engineer. After his stint at Fairchild, Narma relocated to the San Francisco Bay Area and became vice president of Ampex, pioneers of multitrack recording equipment.
About Pultec

Custom-engineered and built by hand, the original Pultecs have long been a top choice of leading recording and mastering engineers. Pultecs are renowned for their ability to accentuate individual frequency ranges without significantly altering other frequencies.
In 1951, Gene Shenk and Ollie Summerland of Pulse Techniques Inc. introduced the first passive program equalizer, the EQP-1. Using equalization circuit designs licensed from Western Electric, the initial Pultecs suffered the gain insertion losses typical of passive filters. So, they added a gain makeup stage, using a push-pull design with multiple vacuum tubes. The result is the classic we’ve come to know as the EQP-1A.

Conceived and created for broadband equalization, the EQP-1A features four low boost/cut frequencies, three high-cut frequencies and seven HF boost points, along with a bandwidth control for shaping the high boost curve. The EQP-1A and the MEQ-5 together comprise one of the best known equalization chains in audio history.

More about Jack Joseph Puig

Jack Joseph Puig is a Grammy Award-winning music engineer and producer with a long track record of successful productions, beginning with the mid 1990′s production of Tonic. Following this breakout success, Puig went on to work with Hole, Jellyfish, The Black Crowes,^[1] John Mayer, Weezer, Fiona Apple, Green Day, The Counting Crows, No Doubt, Klaxons, Panic at the Disco, Stone Temple Pilots, U2, and many others. Puig has shared Grammy Awards with The Goo Goo Dolls, Sheryl Crow, Vanessa Carlton, John Mayer, Fergie (Black Eyed Peas), U2, and No Doubt. In 2006 Jack Joseph Puig became a E.V.P. atInterscope-Geffen-A&M Records. He has signed Klaxons and Charlotte Sometimes. As a A&R man he works with Shirley Manson, Ashlee Simpson, Klaxons, Charlotte Sometimes, The Counting Crows, Puddle of Mudd, and The Like.

Prior to his mainstream music production successes Puig rose to prominence as an engineer in the Contemporary Christian music scene of the mid-eighties. He worked mainly on Myrrh Record releases. He engineered for Christian acts sych as Amy Grant and Russ Taff. Some of the records he engineered were Grammy-award winning works such as Grant’s landmark 1985 LP Unguarded.

Partial discography

• Semisonic – Feeling Strangely Fine (1998) m
• Robbie Williams – I’ve Been Expecting You (1998) p/m
• John Hiatt – Stolen Moments (2005) e/m
• Bette Midler – Some People’s Lives (1990) m
• Jellyfish – Bellybutton (1990) e/p
• Bette Midler – For the Boys (soundtrack) (1991) m
• Jellyfish – Spilt Milk (1993) e/p/m
• The Grays – Ro Sham Bo (1994) p
• The Black Crowes – Amorica (1994) e/p/m
• Tonic – Lemon Parade (1996) e/p/m
• Weezer – Pinkerton (1996) e/m
• The Black Crowes – Three Snakes & One Charm (1996) e/p/m
• Talk Show – Talk Show (1997) m
• Big Wreck – In Loving Memory Of… (1997) m
• Hole – Celebrity Skin (1998) m
• Goo Goo Dolls – Dizzy Up The Girl (1998) p/m
• Sparklehorse – Good Morning Spider (1999) p/m
• Stone Temple Pilots – Revolution (1999) m
• The Counting Crows – This Desert Life (1999) m
• Beck – Nicotine & Gravy (1999) m
• No Doubt – Return of Saturn (2000) m
• Green Day – Warning (2000) m
• Collective Soul – Blender (2000) m
• Five For Fighting – Easy Tonight (2000) p/m
• Shelby Lynne – Bridget Jones’ Diary, original soundtrack (2001) m
• Tricky – Blowback (2001) m
• Remy Zero – The Golden Hum (2001) e/p/m
• The Rolling Stones – 40 Licks (2002) m
• Phantom Planet – The Guest (2002) m
• Sheryl Crow – C’mon C’mon (2002) m
• Vanessa Carlton – Be Not Nobody (2002) m
• Vanessa Carlton – A Thousand Miles (2002) m
• The Counting Crows – Hard Candy (2002) m
• Switchfoot – The Beautiful Letdown (2003) m
• Stereomud – Every Given Moment (2003) m
• The Ataris – So Long, Astoria (2003) m
• Stereophonics – You Gotta Go There to Come Back (2003) m
• John Mayer – Heavier Things (2003) e/p/m
• No Doubt – The Singles: 1992-2003 (2003) m
• 311 – Greatest Hits ’93-’03 (2004) m
• Sum 41 – Killer Queen(2005) e/p/m
• Aqualung – Strange and Beautiful (2005) m
• Son Volt – Retrospective 1995-2000 (2005) m
• Black Eyed Peas – Monkey Business (2005) m
• The Rolling Stones – A Bigger Bang (2005) m
• The Rolling Stones – Biggest Mistake (2005) m
• The Pussycat Dolls – PCD (2005) m
• Mary J. Blige – The Breakthrough (2005) m
• John Hiatt – Chronicles (2005) e/m
• Goo Goo Dolls – Let Love In (2006) m
• Dashboard Confessional – Dusk and Summer (2006) m
• Fergie – The Dutchess (2006) m
• The Academy Is – Santi (2007) m
• Macy Gray – Big (2007) m
• U2 – Instant Karma: The Amnesty International Campaign to Save Darfur (2007) p/m
• Lifehouse – Who We Are (2007) m
• Queen Latifah – Trav’lin’ Light(2007) m
• Puddle of Mudd – Psycho (2007) p/m
• Klaxons – Golden Skans radio remix (2007) m
• Eric Clapton – Complete Clapton (2007) m
• Panic at the Disco – Nine in the Afternoon (2007) m
• Charlotte Sometimes– Waves and the Both of Us (2008) p/m
• Jack Savoretti - Harder Than Easy (2009) m
• Kylie Morgan (country artist) 2010

Photo taken during the 2010 Thriving Musicians Summit at Bayside Church.

Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image.
© 2010 Brian Petersen

From a photo session for Waves by Brian Petersen with Tony Maserati in Studio D at the Village Recorder in West L.A.

The man behind the sound of the Black Eyed Peas, Jay-Z, Mariah Carey, Puff Daddy, Beyoncé, Usher, John Legend, Alicia Keys, Jason Mraz, Macy Grey, Mary J, Blige, Rob Thomas, Sting, David Bowie, Tupac Shakur, Ricky Martin, Notorious B.I.G.

Read more: http://www.waves.com/Content.aspx?id=8873#ixzz13PWelf3l
Visit Tony’s site at http://tonymaserati.com/

Photography by Brian Petersen at www.brianapetersen.com
Email Brian Petersen for licenses regarding this image. © 2010 Brian Petersen

About Tony Maserati

Widely regarded as the principal architect of the legendary New York Sound, Tony Maserati is one of the world’s most respected mixing engineers. In a dazzling career with countless hit records for superstars ranging from Sting and David Bowie to Macy Gray and Alicia Keys, Tony has done more than simply make the songs sound great. He has played a major role in redefining the aesthetics of R&B, hip-hop, and pop.

After completing his studies at Berklee’s program for production and engineering, Maserati got his start at the legendary Sigma Sound Studios in New York during the mid-’80s, hooking up with early rap legends like Heavy D and Brand Nubian. Working closely with Bad Boy Entertainment’s roster of heavyweight talent—including Mary J Blige, Faith Evans, Notorius B.I.G. and Lil Kim—he helped create what became known as the sound of New York hip hop. It wasn’t long before he was leaving his mark on smash pop hits including Ricky Martin’s “She Bangs”, Marc Anthony’s “I Need to Know”, and R. Kelly’s “I Wish”.

Today, as an active producer / mixing engineer as well as instructor at Tisch School of the Arts / New York University, Tony mentors up-and-coming engineers and artists. He’s won two Grammy® awards, one for Beyonce’s “Crazy In Love” and one for Sergio Mendes’s Timeless, and is the recipient of a 2006 TEC Award. He is an active member of The Recording Academy, and this year received his seventh Grammy nomination, for Jason Mraz’s We Sing. We Dance. We Steal Things.

Maserati says “I’ve been using Waves from the beginning. From dynamics and EQs to special effects, most of the tracks I’ve mixed have Waves on them. Waves did an amazing job turning my personal processing chains into custom plug-ins.”

Selected Discography

• Marc Anthony: “I Need To Know”
• James Brown: JB (Best of the Best)
• Mariah Carey: “Honey,” “The Roof”
• Destiny’s Child: “Survivor,” “Bootylicious”
• R. Kelly: “Like a Real Freak,” “TP-2″
• Jennifer Lopez: “Play,” “Ain’t It Funny,” “I’m Real”
• Ricky Martin and Christina Aguilera: “Nobody Wants To Be Lonely”
• Maxwell: “Fortunate”
• Mýa: “Best of Me”
• Notorious B.I.G.: “Mo Money Mo Problems”
• Puff Daddy: “Been Around the World”
• The Simpsons: The Yellow Album
• Jessica Simpson: “Sweet Kisses”
• Tupac: “Changes”
• Vitamin C: “I Know What Boys Like”
• Anouk: “Hotel New York” Album
• Jason Mraz: “We Sing. We Dance. We Steal Things.”

This shot was taken from the Alabama Hills overlooking the Owens Valley and the White Mountains.

This was my first nature shooting expedition with my new Canon 50D using a Sigma fisheye 17mm film lens.

Photography by Brian Petersen at www.brianapetersen.com
Download the full size image at http://www.flickr.com/photos/bpbp/3166104976

Photography by Brian Petersen at www.brianapetersen.com

Stain glass background image taken during a Friday morning worship chapel at Bethany School in Long Beach.

See this image used as a text background in a worship setting here
www.flickr.com/photos/bpbp/408047945/

I came across this text while preparing for a prayer time with some friends. Not only is the message incredible, but I like the resulting image as the light shines from above on the textured paper.

The Crying Need of the Hour

So the truth is reaffirmed: God has given us prayer because Jesus has given us a mission. We are on this earth to press back the forces of darkness, and we are given access to headquarters by prayer to advance this cause. When we try to turn it into a civilian intercom to increase our conveniences, it stops working, and our faith begins to falter. We have so domesticated prayer that for many of us it is no longer what it was designed to be-a wartime walkie-talkie for the accomplishment of Christ’s mission.

We simply must seek for ourselves and for our people a wartime mentality. Otherwise the biblical teaching about the urgency of prayer and the vigilance of prayer and the watching in prayer and the perseverance of prayer and the danger of abandoning prayer will make no sense and find no resonance in our hearts. Until we feel the desperation of a bombing raid or the thrill of a new strategic offensive for the gospel, we will not pray in the spirit of Jesus.

The crying need of the hour is to put the churches on a wartime footing. Mission leaders are crying out, "Where is the church’s concept of militancy, of a mighty army willing to suffer, moving ahead with exultant determination to take the world by storm? Where is the risk-taking, the launching out on God alone?" The answer is that it has been swallowed up in a peacetime mentality.

We are a "third soil century." In the parable of the soils, Jesus says that the seed is the Word. He sows his urgent Word of kingdom power. But instead of taking it up as our sword (or bearing fruit), we "are those who hear the word, but the cares of the world and the deceitfulness of riches and the desires for other things enter in and choke the word, and it proves unfruitful" (Mark 4:18-19).

This is why Paul says that all of life is war—-every moment. Before we can even engage in the mission of the church, we have to fight against the "the deceitfulness of riches" and "desires for other things." We must fight to cherish the kingdom above all "other things"-that is our first and most constant battle. That is the fight of faith. Then, when we have some experience in that basic battle, we join the fight to commend the kingdom to all the nations.

Let The Nations Be Glad! by John Piper
The Supremacy of God In Missions through Prayer: page 51
www.desiringgod.org/

=-=-=-=-=
Here is the text from the Prayer Time

Team Missions Prayer

:: Confession of Sin and Burdens / Repentance

Personal Prayer and Silence
Ask the Lord to search your heart for any areas of sin
Confess any sin (1 John 1.9, James 5:16)
Bring your burdens to the Lord in prayer (1 Pet 5:7)
Ask the Lord to give you an open heart
Ask for the Spirit to lead you and the group in prayer for the glory of God (John 14)

If we confess our sins, he is faithful and just and will forgive us our sins and purify us from all unrighteousness. 1 John 1.9 NIV

If my people, who are called by my name, will humble themselves and pray and seek my face and turn from their wicked ways, then will I hear from heaven and will forgive their sin and will heal their land. 2 Chronicles 7.14 NIV

:: Worship by Praising God

Group Worship with Singing and Prayer
God alone is worthy of our praise!
Begin in prayer with thanksgiving
Rejoice in the Lord!
Praise God for all the blessings He has provided for us
Thank God for our salvation and the new life we have through the blood of Jesus Christ

In a loud voice they sang: “Worthy is the Lamb, who was slain, to receive power and wealth and wisdom and strength and honor and glory and praise!” Rev. 5.12 NIV

Shout for joy to the LORD, all the earth. Worship the LORD with gladness; come before him with joyful songs. Know that the LORD is God. It is he who made us, and we are his; we are his people, the sheep of his pasture. Psalm 100.1-3 NIV

Prayer for the Team and Ministry

Group Prayer for the Ministry
Bring team needs before the Lord (Phil 4.6-7)
Pray for team unity in serving together with different gifts and roles, yet one body (1 Cor 1:10)
Pray that our team would be prepared for the ministry to the best of our abilities but continually rely on Christ’s strength while we are there.
Pray for divine appointments; pray that the Holy Spirit would direct us in ever move for the sake of the salvation of the souls of his people in the world
Ask for financial provision through the support process
Pray for the health and safety of our team
Pray for boldness of speech in proclaiming the gospel (Eph. 6.19-20)
Pray that we will utilize the power from the Holy Spirit to withstand trials and temptations

Do not be anxious about anything, but in everything, by prayer and petition, with thanksgiving, present your requests to God. And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus. Philippians 4.6-7 NIV

Prayers for the field

Prayer for the growth and strength of Christian churches and missionaries
Pray that God would raise up nationals to evangelize their own people
Pray for the health of the missionaries being under severe strain and burden for the work
Ask the Lord to send ministers into the nations for the harvest is plentiful but the workers are few (Mat 9:37-38)

Helpful Bible Verses

For this reason I kneel before the Father, from whom his whole family in heaven and on earth derives its name. I pray that out of his glorious riches he may strengthen you with power through his Spirit in your inner being, so that Christ may dwell in your hearts through faith. And I pray that you, being rooted and established in love, may have power, together with all the saints, to grasp how wide and long and high and deep is the love of Christ, and to know this love that surpasses knowledge — that you may be filled to the measure of all the fullness of God. Now to him who is able to do immeasurably more than all we ask or imagine, according to his power that is at work within us, to him be glory in the church and in Christ Jesus throughout all generations, for ever and ever! Amen. Eph. 3.14 – 21

Let us therefore come boldly to the throne of grace, that we may obtain mercy and find grace to help in time of need. Heb. 4:16

Ask and it will be given to you; seek, and you will find. Knock and it will be opened to you. For everyone who asks receives, and he who seeks finds, and to him who knocks it will be opened". Matthew 7:7-8

2 Thessalonians 3:1, “Finally, brothers, pray for us, that the word of the Lord may speed ahead and be honored, as happened among you.” The word runs and triumphs by means of prayer.

Matt. 26.41 “Watch and pray so that you will not fall into temptation. The spirit is willing, but the body is weak.”

Ephesians 6:19, “[Pray] for me, that words may be given to me in opening my mouth boldly to proclaim the mystery of the gospel.” Paul’s boldness in the gospel came from God by the prayers of simple Christian believers.

For this reason, since the day we heard about you, we have not stopped praying for you and asking God to fill you with the knowledge of his will through all spiritual wisdom and understanding. And we pray this in order that you may live a life worthy of the Lord and may please him in every way: bearing fruit in every good work, growing in the knowledge of God, being strengthened with all power according to his glorious might so that you may have great endurance and patience, and joyfully giving thanks to the Father, who has qualified you to share in the inheritance of the saints in the kingdom of light. For he has rescued us from the dominion of darkness and brought us into the kingdom of the Son he loves, in whom we have redemption, the forgiveness of sins. Col. 1.9-14

Acts 1.14 They all joined together constantly in prayer, along with the women and Mary the mother of Jesus, and with his brothers.

Col. 4.12 Epaphras, who is one of you and a servant of Christ Jesus, sends greetings. He is always wrestling in prayer for you, that you may stand firm in all the will of God, mature and fully assured.

Romans 15:30, “I appeal to you, brothers, by our Lord Jesus Christ and by the love of the Spirit, to strive together with me in your prayers to God on my behalf.” The wrestling of Paul to be faithful in all his sufferings was sustained by a wrestling in prayer by the brothers in Rome.

Acts 2.42 They devoted themselves to the apostles’ teaching and to the fellowship, to the breaking of bread and to prayer.

Colossians 4:3, “Pray also for us, that God may open to us a door for the word, to declare the mystery of Christ, on account of which I am in prison.” Open doors for the spread of the gospel come in answer to prayer. Therefore, in the life of Paul it is plain that prayer is God’s way of gospel victory.

Now, our God, hear the prayers and petitions of your servant. For your sake, O Lord, look with favor on your desolate sanctuary. Give ear, O God, and hear; open your eyes and see the desolation of the city that bears your Name. We do not make requests of you because we are righteous, but because of your great mercy. O Lord, listen! O Lord, forgive! O Lord, hear and act! For your sake, O my God, do not delay, because your city and your people bear your Name. Daniel 9.17-19

This image and text is also viewable at my flickr page here. http://www.flickr.com/photos/bpbp/485984140/

A green fern in my garden Arabella after a rainy day. View on flickr and download here.

Brian Scheuble
Producer / Audio Recording / Mixing Engineer

Online Mixing available email for details: bscheuble@mac.com
homepage.mac.com/bscheuble/disco/Personal18.html

See another pic here
flickr.com/photos/bpbp/2742195121/

Brian Scheuble – Audio Recording / Mixing Engineer / Producer Credits

Need To Breathe – Record & Mixing (upcoming releaes)

Crosby Loggins – Record & Mix (upcoming release)

Dave Matthews “Live” – Mix (upcoming release)

“Yes Man” Jim Carrey – Mix – New Movie (upcoming)

Brett Dennen – Record & Mix (New record)

Serena Ryder – Record & Mix (upcoming release)

Tyler Hilton – Record & Mix (upcoming release)

Lenka – “Knock Knock” – Single Mix – New Record

Robbie Robertson – Mix

Ben Lee – Record & Mix

A Fine Frenzy – Record & Mix

Sheryl Crow – Record

Aimee Mann – Record & Mix

(Magnolia soundtrack) & Bach. #2

Matt Nathanson – Recording

Rachael Yamagata (new record) – Record & Mix

Bethany Dillon – Record & Mix

Edie Brickell (new record) – Recording

Brendan James – Record & Mix

I Nine – Record Strings

Trevor Hall – Recording & Mixing

John Mayer Live – Mixing

New Found Glory -Recording

Dave Matthews – Record & Mixing

Meika Pauley – Mix

Stone Temple Pilots “Revolution” – Record

Liz Phair – Recording & Mixing

Five For Fighting – Record

Eric B. & Rakim – Mix

The Last Goodnight – Record

Michelle Branch – Record

Kate Voegele – Record

Ryan Shupe & The Rubberband Band – Record

George Stanford – Record & Mix 2 songs – new record

Train -Record

Lisa Marie Presley – Record

Year Long Disaster – Mix

Megan McCauley -Record & Mix Song on, Dr Phil Show

Chantal Keziazuk – Record

Stage – Record

Dishwalla – Record & Mix

Elton John – Record

MC Solaar Live – Record & Mix

Fiona Apple “TIDAL” – Record

Amy Carriea “Carnival” – Record & Mix

Stevie Nicks (soundtrack) – Record

Five For Fighting “America Town” – Record & Mix

Jeremy Toback – Record & Mix

Liz Phair (single) – Record & Mix

Crash Test Dummies – Record & Mix

Wallflowers (Godzilla soundtrack) -Record

Wallflowers (Virgin) – Record & Mix

Ringo Starr & The All-Starrs – Mix

Marilyn Manson – Record

Nine Inch Nails – Mix

Butthole Surfers – Mix

Ice Cube – Record & Mix

Don Henley “End Of The Innocence” – Record & Mix

Tom Petty & the Heartbreakers – Record

X – Record

Wild Colonials “This Can?t Be Life” – Record

John Hiatt -Record & Mix

Mel Torme “Joe’s Garage” Soundtrack – Record & Mix

Wayne Shorter “High Life” – Record o/d’s

Barbara Streisand Rehearsal

Charlie Haden/Hampton Hawes – Mix

Beth Nielsen Chapman – Record & Mix

Soul Mission – Record & Mix

Robben Ford “Handful of Blues” -Record

Lili Haydn – Mix (2 songs)

Paul Thorn – Record

3 Mile Pilot – Record

Jon Bon Jovi “Blaze of Glory” – Mix & co-record

Fantasia “American Idol” – Record

Otep – Record & Mixing

Backstreet Boys – Record

Dandy Warhols (new record) Mix 1 song

Teddy Thompson (new record) – Recording

honeybird – Mix

ALSO-Recording & Mixing – iTunes Originals

Death Cab For Cutie

Liz Phair

Melissa Etheridge

Under The Influence Of Giants

Papa Roach

CONTACT INFO:

Management: Jim Phelan & Jerimaya Grabher @ GPS | Global Positioning Services

3435 Ocean Park Blvd., Ste. 107-191

Santa Monica, CA 90405

Tel – 310.828.1350

Fax – 310.828.1352

A shot from Jina Romania in 2007.

Our team split up as the VBS took place in the villages of Jina and Poinana with stories about Zacchaeus, the story of creation, and a Gospel message based on the wordless book. After the story and times of worship with fun children’s songs, we divided the kids into two groups and sent them off to do crafts while the other group went outside to play games. Working with the translators while trying to communicate with a hundred kids was challenging at first but the team did well, and it became comfortable by the end of our time. Some of the children traveled miles on dirt roads in the summer heat to get to the church for the VBS, and we know it was as the children had a great time. Even though Romania has few resources for children’s ministry when compared to the U.S., we are thankful that at each location there are local Romanian Christians who will continue their work with the youth through the local evangelical churches. Jina (Hungarian: Zsinna) is a commune in Sibiu County, Transylvania, Romania, in the Cindrel Mountains, 40 km west of the county capital Sibiu, in the Mărginimea Sibiului ethnographic area.

http://www.flickr.com/photos/bpbp/423412581/

Follow this link for better shot of the sound booth.

See the following pictures taken from this booth.
Good Friday 2003
Resonate Worship Service 04
School Christmas Program 06
Bethany Chapel 07
Stained Glass 07
Stained Glass 07

For live sound I use a Yamaha M7 48 channel digital console , an analog Mackie 32 and 24 channel 8 buss mixer and an old Yamaha PM 3000 32 channel console. I use Shure Wireless Microphones and Shure wired mics when possible. For kick drums and bass instruments including djembe, I like the Shure Beta 52, the AKG D112, and the Audix D6 is also a popular choice. For electric guitars I prefer Shure SM 57s or the Beta 57As . For vocals the Shure Beta 58A is the standard in the wired or wireless form. The Shure KSM series sounds great on strings, choirs, pianos and anything else you could throw at it. The Rode NTK tube mic is also a favorite of mine for electric guitars, strings, and pianos. The Barcus Berry system is not a recommended choice for pianos although many churches use them.

For audio recording I use a Digi 002 and Pro Tools by Digidesign. I also use Waves plug-ins. A Universal Audio 2108 and a Event Monitors for reference. I like using a LSD2 large stereo diaphragm mic for acoustic guitars and a M-Audio Microtrack 24-96 is a Pro Tools approved hard drive and works great for portable recording.

In this shot I am using Keynote from Apple and I also have two versions of Powerpoint on this Mac. The church has a video projection room with PCs running Mediashout.

I like using Keynote for song projection due to personal preference and it works well with the wireless remote that comes with a MacBook Pro. The wireless controller is the white rectangular unit above the faders on the bottom right side of the mixer. I can walk away from the computer and still switch slides for the next verse or chorus.

I keep 1,600 song files in a folder on my Mac with most of the worship songs that churches use today. I have customized most of these files for my preference and I am familiar with the song layout so I know where the worship leader is going if they move around in the song form. I also have a pretty big picture selection on the laptop that I use for display backgrounds. Many of these come from pictures I have taken and you can see them online in my nature folder.

I use Accordance Bible Software for scripture references and it also makes a fantastic Bible study software as I am in Talbot Seminary in the Los Angeles / OC area.

For video editing I use iMovie and a full version of Final Cut Studio. This includes Motion, Soundtrack Pro, and DVD Studio.

For a great list of recommended audio visual gear for ministry from CCLI check out this link.

Christian worship service in Nepal following the ceasefire of the civil war in 2006.

http://www.flickr.com/photos/bpbp/164309794

Erik Thoennes preaching the gospel at Grace EV Free in La Mirada.

Grace EV Free worship service: Erik Thoeness preaching, originally uploaded by bpbp Brian Petersen.

After Good Friday I awoke with beautiful roses that had just opened. They are huge and they fit it the palms of your open hand.

Let the heavens be glad, and let the earth rejoice;
Let the sea roar, and all it contains;
Let the field exult, and all that is in it.
Then all the trees of the forest will sing for joy
Before the LORD, for He is coming,
For He is coming to judge the earth.
He will judge the world in righteousness
And the peoples in His faithfulness.
Psalm 96:11-13 nasb

http://www.flickr.com/photos/bpbp/449689773/

LA-610 Tube Recording Channel pre, originally uploaded by Brian Petersen.

LA-610 Classic Tube Recording Channel
The LA-610 brings UA’s legendary vintage "all tube" luxury sound into a modern channel strip format by combining the 610 Mic-Pre/EQ/DI section and a T4 Opto-compressor into a single 2U unit.

The 610-tube preamp, DI and EQ is from UA’s TEC award winning 6176 and is based on the legendary console modules developed by Bill Putnam in the 60′s. Countless classics have been recorded using these preamps, noted for their musical character and warmth.

The simple operation and program dependent nature of the LA-610 T4 compressor provides the same extremely musical control that has made the LA-2A such a well-loved classic for over 40 years.

The LA-610 packs tremendous sonic versatility and is an ideal front-end for tracking with modern DAW’s and the serious project studio looking to get the UA sonic experience : real quality and character at an accessible price.

In collaboration with Dennis Fink, one of the original UREI® analog design engineers, the LA-610 was carefully designed to deliver the essence of the “LA” sound but without the costs of being an exact LA-2A component clone. The LA-610 uses three 12AX7A’s, a single 6072A and a single 6AQ5 tube for amplifier warmth and overall tonal balance.

After the preamp section, the LA-610 offers a new T4 optical compressor. The electro-optical detector or "T4 cell”, is the very heart and soul of the Teletronix LA-2A. The unique combination of electroluminescent panel and photo-resistors inside the T4 cell are the crucial circuit components that give both these compressors their signature sound.

www.uaudio.com/products/analog/LA-610/index.html