LA-610 Tube Recording Channel pre, originally uploaded by Brian Petersen.
LA-610 Classic Tube Recording Channel
The LA-610 brings UA’s legendary vintage "all tube" luxury sound into a modern channel strip format by combining the 610 Mic-Pre/EQ/DI section and a T4 Opto-compressor into a single 2U unit.
The 610-tube preamp, DI and EQ is from UA’s TEC award winning 6176 and is based on the legendary console modules developed by Bill Putnam in the 60′s. Countless classics have been recorded using these preamps, noted for their musical character and warmth.
The simple operation and program dependent nature of the LA-610 T4 compressor provides the same extremely musical control that has made the LA-2A such a well-loved classic for over 40 years.
The LA-610 packs tremendous sonic versatility and is an ideal front-end for tracking with modern DAW’s and the serious project studio looking to get the UA sonic experience : real quality and character at an accessible price.
In collaboration with Dennis Fink, one of the original UREI® analog design engineers, the LA-610 was carefully designed to deliver the essence of the “LA” sound but without the costs of being an exact LA-2A component clone. The LA-610 uses three 12AX7A’s, a single 6072A and a single 6AQ5 tube for amplifier warmth and overall tonal balance.
After the preamp section, the LA-610 offers a new T4 optical compressor. The electro-optical detector or "T4 cell”, is the very heart and soul of the Teletronix LA-2A. The unique combination of electroluminescent panel and photo-resistors inside the T4 cell are the crucial circuit components that give both these compressors their signature sound.

Rock breaker on the Seti, originally uploaded by bpbp Brian Petersen.
Rock breaker on the Seti River in Nepal.
Posted on April 17, 2009
by Brian Petersen
0 Steinway Grand Piano recording session at Crowell Hall located on the Biola campus in La Mirada, CA. The tracks are to be used as an interlude for a Christian worship album that will be released by Grace Evangelical Free Church.
Westminster Abbey – London church, originally uploaded by bpbp Brian Petersen.
Westminster Abbey in London
Westminster Abbey’s long history can be traced back to the community of Benedictine monks established here c. 960 by Dunstan, bishop of London. Almost a century later King Edward established a palace close to this community and built for it a new church, dedicated to St Peter. It was consecrated on 28 December 1065 and when King Edward died a few days later he was buried in front of its high altar. When William the Conqueror arrived in London after the Battle of Hastings he chose to be crowned in the Abbey (on 25 December 1066) and it has been the coronation church ever since.
The monastery flourished. Royal patronage, extensive lands and the presence of the shrine of St Edward the Confessor (King Edward had been canonised in 1161) made it a wealthy and influential religious house. In 1245 King Henry III resolved to build a new abbey church, modelled on French Gothic cathedrals such as Reims and Amiens. By October 1269 the choir, transepts and eastern section were complete, and St Edward’s body was translated to a magnificent new shrine, where it remains to this day. Henry III’s own tomb was subsequently placed near by and the Abbey became the principal place of royal burial until the eighteenth century.
Building work continued at the end of the fourteenth century but in the earlier architectural style, thus giving the church a remarkable unity of design even though the very west end of the nave was not finally vaulted until the early 1500s. By then the construction of the new Lady Chapel of King Henry VII was also well advanced at the east end. This chapel, one of the architectural glories of the Abbey, became the chapel of the Most Honourable Order of the Bath in 1725. An early procession of the Knights of the Order was painted by Canaletto and provides one of the first views of the west towers which were finally completed in 1745.
Preserving the physical structure of this great church and its precincts has always been a challenging task. In the second half of the twentieth century the removal of centuries of dirt both inside and outside the church revealed its full beauty to many people for the first time. The restoration of the exterior (completed in 1995) was made possible by the Westminster Abbey Trust which, under the chairmanship of HRH The Duke of Edinburgh, raised more than £25 million to fund the work, but important works of maintenance and repair continue.
The Benedictine monastery at Westminster was dissolved in 1540. Most of the liturgical furnishings were removed, but the Abbey’s status as a coronation church and a royal mausoleum probably protected it from more extreme vandalism at this time. For ten years the Abbey became a cathedral, and then under Mary I the monastery was briefly revived. Mary’s successor, Elizabeth I, established the Abbey as ‘the Collegiate Church of St Peter’, outside the jurisdictions of the Bishop of London and the Archbishop of Canterbury but instead a ‘Royal Peculiar’, with the Sovereign as its Visitor. The new foundation consisted of a dean and prebendaries (later known as canons), minor canons and additional lay officers. It was charged with two main duties: to continue daily worship (for which an organist, choristers and singing men was provided) and to maintain a school for the education of forty scholars. Both activities continue today, though Westminster School is now greatly enlarged and independently governed. The Abbey’s own choristers are educated at Westminster Abbey Choir School.
In the later sixteenth century the apsidal chapels, stripped of their medieval altars and furnishings, began to fill with tombs and monuments. Edmund Spenser’s burial close to Geoffrey Chaucer’s tomb in the south transept initiated what later became known as Poets’ Corner, and over time large numbers of monuments were also erected in the transepts and the nave. Today, with over 600 such memorials, the Abbey houses the most important single collection of monumental sculpture in the country.
The reform movements of the nineteenth century touched the Abbey in two significant ways: in 1868 Westminster School became independent of the Dean and Chapter’s control, and at about the same time the Dean and Chapter was required to hand over its extensive estates to the Ecclesiastical Commissioners. The latter change had significant financial consequences for the Abbey which receives no funding from the Church or the State. The Dean of Westminster at this time, Arthur Penrhyn Stanley, brought new vigour to the Abbey’s life and wrote extensively about its history. He gave permission for the burial of figures such as Dickens, Livingstone and Darwin, and did much to establish a unique place for the Abbey in the nation’s life. This sense of the Abbey’s national role was reinforced in the early twentieth century by the burial here of the Unknown Warrior in 1920 and continues to be evident in the many special services held each year to mark national events or to commemorate significant anniversaries.
The Chapter Office
20 Dean’s Yard
Westminster Abbey
London
SW1P 3PA
United Kingdom
Telephone: +44 (0) 20 7222 5152
Fax: +44 (0) 20 7233 2072
Email: info@westminster-abbey.org
www.westminster-abbey.org/
Published on the web in Schmap England Guide
A great middle of the road audio mixer for FOH, monitor, and record mixing.
http://www.flickr.com/photos/bpbp/3437243244/
Yamaha M7CL 48 channel audio mixer at Grace EV Free on Easter, originally uploaded by bpbp Brian Petersen.
The heavens declare the glory of God; the skies proclaim the work of his hands.
“Mount Whitney is the highest summit in the contiguous United States with an elevation of 14,505 feet (4,421 m). It is located at the boundary between California’s Inyo and Tulare counties, just 76 miles (122 km) west of the lowest point in North America at Badwater in Death Valley National Park (282 feet (86 m) below sea level). The western slope of the mountain lies within Sequoia National Park and the summit is the southern terminus of the John Muir Trail which runs 211.9 miles (341.0 km) from Happy Isles in Yosemite Valley. The eastern slope lies in the Inyo National Forest in Inyo County.” Wikipedia
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Kelly Wright playing during a recording session at Grace EV Free in La Mirada.
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flickr.com/photos/bpbp/1573710847
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